Live performance is where Infinite Abyss began and where many of our narrative worlds first take shape. Since 2010, Infinite Abyss has been creating live horror and immersive experiences that invite audiences into story rather than placing them at a distance. Led by Artistic Director Erynn Dalton, our work in live performance has spanned traditional theater, immersive environments, event-based storytelling, and site-specific experiences, with a long-standing home at The Foundry in Wilton Manors and deep roots in the Miami/Fort Lauderdale arts community.

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Our stage productions range from genre classics to original works, including Fright Night, The Rocky Horror Show, How to Kill Vampires (Because They’re Unnatural Jerks), Theatre of Terror, and Ghosts of the Grand Guignol. Across these projects, the focus has always been on atmosphere, participation, and tone, creating spaces where audiences don’t just watch a story unfold, but feel themselves inside it.

 

Beyond the stage, Infinite Abyss designs live experiences that extend storytelling into cinemas, festivals, and public events. Through custom event cinema pre-shows, immersive performances, and interactive atmospheric elements, we reimagine moviegoing and live events as communal rituals, giving audiences a reason to return, gather, and share an experience rather than simply consume content. Recent work includes immersive pre-show experiences for the Popcorn Frights Film Festival and Sony’s Miami and Los Angeles premiere screenings of the feature horror film, Evil Dead Rise, where live performance and atmosphere were used to deepen audience engagement before the film even began.

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Infinite Abyss also creates genre-driven live appearances and performances for festivals, conventions, and cultural events. Recent highlights include serving as a Featured Attraction at the Florida Renaissance Festival, where the original production Sir Alastair Bloodworth’s Den of Monsters played to sold-out, standing-room-only audiences. Additional appearances have included genre conventions, film festivals, media features, and live collaborations across platforms.

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Across all of our live work, performance is not treated as a promotional layer, but as a core narrative medium, one that allows stories to evolve through presence, participation, and community. These live experiences often act as the first entry point into larger worlds that later expand across film, digital media, and ongoing narrative systems.

 

If you’re interested in collaborating on immersive, genre-driven live experiences — whether on stage, at an event, or as part of a larger narrative ecosystem — we’d love to connect.